Misfits Season 4 Episode 2

Finn’s girlfriend has been using her power to make him exactly who she would like him to be… At first he objects, but then realises to keep her – this will be the only way… His friends object, giving little credence to his protest that he like being ‘better than he is’…

This isn’t you, this isn’t who you are!

 

Finn: “We were happy.”

Jess: “It was bullshit and you know it! Stop Lying to yourself.”

thirty seconds to mars

so I know I sometimes see one thing I like in another thing I like…. this may be nothing more than that but it does seem to capture some of the spirit of what we’ve been reading…

the dawn of a new age… can you imagine a time where truth ran free… we are all short of glory…

Into the night, Desperate and broken,The sound of a fight….We were the victims of ourselves…. We stole our new lives, Through blindness… The age of man is over, A darkness comes….These lessons that we’ve learned here, Have only just begun….

Richard Linklater’s ‘Waking Dead’

Okay, so perhaps this is slightly out of place on this blog as I’m not sure how many non-philosophers would persevere with it. On the other hand, the viewer is addressed by real life philosophers in a medium that is accesible to most, so I guess it’s okay… We’ll be watching this in class at some point…

Click below for discussion questions:

American Beauty

To my shame I only watched this recently and it was, in my humble opinion, a quite brilliant picture. Each of the main characters would be more than sufficient for an Internal Assessment or even an Extended Essay in IB philosophy.

Where to start though…? Again, this is the sort of film that will draw one’s own philosophical persuasions to the surface, but I would expect that most philosophically literate members of the audience will be prodded into reflecting upon existentialism. Perhaps because of my own areas of particular interest, I found myself thinking about the relationship between Sartre and Kierkegaard. Kevin Spacey’s character undergoes a change. He realises he is free to do what he chooses and he begins a journey towards living authentically. Despite initial impressions, there is also an ethical dimension to this change; this is most noticable when he decides not to sleep with his daughter’s friend. This authenticity is placed in stark contrast with the Colonel, who moves in across the street. He is clearly deeply unhappy and (partly due to his belief in the Divine) is an emblem of the inauthentic life – lying to himself about even his own sexuality.

There are also a number of characters living by systems, or what Kiekegaaard would have called ‘ethical frameworks’. These people spend every part of their energy trying to realise a self-created goal. This, as the Dane points out, is a project doomed to failure: either one realises the goals and find this unsatisfactory (causing despair) or spends a whole life struggling and never reaching (equally as bad). Anyway before I feel myself being drawn into my own essay I will stop. Watch it.

Shooting Dogs (2005)

Based on a true story. An exhausted Catholic priest (Hurt) and a young idealistic English teacher (Dancy) finds themselves caught in the 1994 Rwandan genocide. They must now choose whether to stay with the thousands of Tutsis about to be massacred or to flee for safety. (IMDB)

Where to start… use this to think about Emotivism, ethics in general, Justice (!?!), Power, even evil.

At risk of saying too much, an internal assessment might look at Levinas’ ethics (genocide as elimination of the other), or considering the themes of presence and absence (including of course, but not only, God).